Pure Evil’s deviant dabblings with antique printed imagery and historic references are a constant source of fascination for Nelly, most recently in his ‘Bank of England’ piece which confronts the viewer with an all too graphic representation of state of our (not so fair) city.
Indeed, one of Pure Evil's latest, a 2 colour fade screenprint, picks up where Toulouse Lautrec's lithographs of 1800’s Paris once led the most disenchanted of individuals. Printed on a 308 GSM Somerset deckled paper stock, 'Underworld's sensuous imagery beckons you down a darkened alley of scandal, intrigue, and absolutely no return- but we ain't complaining..
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